Seen and Heard: April to June 2022

Punctuation: A guide for editors and proofreaders, by Gerard M.F. Hill – booklet from the Chartered Institute of Editing and Proofreading. Unlike most punctuation guides, which are either ludicrously technical or else spend ages going into details which everyone knows (well, all editors anyway), this is surprisingly fun to read and focuses on those issues where you need to use editorial judgement – that is, when there aren't rules to tell you what to do and you actually have to think about what you're trying to achieve. Examples: when you have to decide whether commas are helpful or intrusive, or whether to use dashes, brackets or commas for parenthetical clauses. Also full of recondite but important facts, such as that in some commonly used fonts an italic full stop is different from an upright full stop and an italic space is a different width from an upright space. Who knew?

The Liar’s Dictionary, by Eley Williams (review here) – amusing novel, really a sort of extended joke for word-enthusiasts, in which the action swings between an unhappy member of a team of lexicographers in late Victorian Britain compiling a supposedly definitive encyclopedia / dictionary (he is so alienated from his colleagues that he pretends he has a lisp - ironically he is working on the letter ‘S’) and an editor in the present day preparing the never-finished dictionary’s digital edition. The problem for me is that, despite being a lover of language, as I thought, I didn’t find the language jokes particularly funny, and the mountweasels (spurious made-up words) which the Victorian inserts surreptitiously into the dictionary strike me as pretentions. It’s actually easy to invent words for things, especially if (like him) you keep using Latin and Greek roots; it’s much harder to create neologisms which people actually want to use. Which is what is required for a word to be an addition to the language, surely?

Syberia, Syberia 2 (reviews here and here) – classic (and classy) adventure games, which I’m replaying in preparation for playing the much-anticipated and well-reviewed Syberia 4. (Syberia 3 seems to be generally regarded as a washout, but I will play it anyway to get the story sequence.) It’s an interesting return: some of the execution now seems a little clunky, but the story, writing, characters, voice acting and especially the artwork (Benoit Sokal, the creator, was originally a graphic artist) are as great as ever – at least in the first game (some of the writing doesn't flow so naturally in the second).

Tangle Tower (review here) – truly excellent comedy detective game, the sequel to Detective Grimoire: smoother, deeper, funnier. This time Grimoire is accompanied by his sidekick Sally, and the repartee between them is a large part of the fun. Pretty good mystery too, with a murder at a stately home, the only obvious suspect being a character in a painting holding what seems to be a bloody knife. Lovely interface for keeping track of clues and witness statements without effort. All games should be this good.

How Star Wars was saved in the edit – fun and illuminating video detailing the major editing changes made to Star Wars to create the final version which we know, covering the deleted scenes in the first act, changes to the intercutting, the fine-tuning, and the re-pacing of the final battle. 

But see also How "How Star Wars was saved in the edit" was saved in the edit (sort of, but not really), which sets out to defend Lucas’s reputation from the implication of the above video that he made a bodged film which had to be rescued by his film editors and points out some important errors (the rough cut showing to Brian de Palma, Stephen Spielberg and others of  Lucas’s film-school friends was not the disaster claimed, and the revised and improved text of the opening crawl had already been written; George Lucas had his own reasons for deleting Luke's early scenes of Luke and delaying his appearance till the droid auction; Marcia Lucas did less than the video attributes to her). Most importantly, it reminds us that it is normal for films to have major editing changes between their rough cut and their release version. However it spends far too much time making fun of the first video author's reconstruction of the reasoning behind the edits without itself putting forward a better account of the editing process. On the whole, it has a bitter and unpleasant tone: the view of an offended fan rather than a film maker.

Florence (review here) – charming little game, about a young woman who falls in love, falls out of love and moves on. Similar in theme and style to When the Past Was Around, but the gameplay is less about puzzles and more about interactions to mirror the emotional beats of the story. It short but beautifully crafted: the first game from this Australian indie studio ('Mountains'); it'll be interesting to see what they do next. 

Coming Back to Life, by Joanna Macy and Molly Brown – a manual for workshops on 'the work that reconnects': engaging with and responding to the global environmental crisis spiritually, emotionally and practically. It doesn't really work to read it; you need to go through a workshop to feel its impact. But interesting as a model of how to write a workshop manual, with a chapter on facilitation has some excellent advice which would be applicable to many types of workshop.

Cuttings: June 2022

Beyond Measure by James Vincent: worth its weight in gold – review by Madoc Cairns in The Guardian. “Once upon a time there was no time at all. And no weight, no mass, no height, no volume. None of the gauges and instruments we use to make sense of the world around us existed. They hadn’t been invented yet. And although the physical properties measurements refer to existed before the names humans coined to describe them, James Vincent notes in Beyond Measure, the point at which people developed systems to quantify the physical world around them was a moment of transformation for our species. Thirty-two thousand years later, that transformation is still unfolding, as measurement embeds itself ever further into our lives, from work to health, love to death: the world made data.”

The Case Against the Sexual Revolution by Louise Perry: a potent, plain-speaking womanifesto – review by Rachel Cooke in The Guardian. “The title of Louise Perry’s first book makes it sound almost comically conservative: uh-oh, you think, expecting a manifesto worthy of some latterday Mary Whitehouse or Victoria Gillick. But don’t be misled. In this cultural moment, The Case Against the Sexual Revolution could hardly be more radical.… Perry used to work in rape crisis, and it’s this experience – harrowing, but also highly, endlessly bewildering – that is her starting point in The Case Against the Sexual Revolution. It seems to her, as someone who has both talked to victims and run the kind of well-meaning workshops that are meant to reduce sexual violence against women, that 21st-century liberal feminism has backed itself into a corner so far as rape goes. Hellbent on the notion of freedom, and determined to minimise the innate differences between the sexes, such women have arrived at a point where they are not only queasy about using the power of the state to imprison rapists … ; they remain unwilling even to consider how women might best keep themselves safe, believing that to do so is simply ‘victim blaming’…. This is a provocative book. More than once, its author says the unsayable. It makes you think, and it makes you want for a better world. It is urgent and daring and brave. It may turn out to be one of the most important feminist books of its time.”

Back in the Day by Melvyn Bragg: extraordinarily vivid and moving memoir – review by Rachel Cooke in The Guardian. “What a world he captures here. You can almost smell it: the scent of a coal fire, of damp coats, beer, and fag smoke. You can certainly hear it: darts hitting a board, a parkie (Bragg’s grandfather was one) shouting at disobedient boys, a choir belting out a hymn. The fells are both close by, and yet far away. He deals, always, more in shame and awkwardness than in joy and contentment. Most people are too weary, and too broke, to be happy in an unbridled way: every home has at least one lodger; every house has a thousand jobs that need doing. Pleasure isn’t easily taken; guilt trails it, like poisonous smoke. When Bragg and his father go to Blackpool for three days, they end up coming home early. I can’t hope to capture, in the space I have here, this book’s extraordinary emotional geography, let alone its strange, inchoate beauty; the way that Bragg, in his struggle fully to explain his meaning, so often hits on something wise and even numinous (when he does, it’s as if a bell sounds). All I can say is that I loved it. Somehow … it brought things back to me, and by doing so, it made me remember what’s really important in life; how glad I am myself to be tethered to certain people, certain places.”

Influence, Inc: a mesmerising dive into the world of public manipulation – game review by Simon Parkin in The Guardian. “You manage a ‘digital influence agency’ to manipulate the public into everything from buying a particular brand of soft drink to voting in a despot … You start out small, directing a team behind a series of fake social media accounts to make certain hashtags trend, or boost positive messages and downplay negatives for your modest roster of clients. Soon you gain access to new tools, such as the Viraliser, which can transform a staid press release into meme-worth content, or the Leaker, which allows you to share information directly with different media outlets. Each day you take on new business while managing your limited resources to meet the demands of existing clients. You’re soon leaking information to sympathetic publications, pushing relevant hashtags, purchasing social media ads micro-targeted to different political persuasions, all while building a list of clients, some of whom might even have opposing objectives. As the game progresses, your choices become more consequential: will you work for the ruling party or the opposition in the upcoming elections? And your choices become more challenging: will you fabricate images and stories to heap scandal on your client’s political opponents?”

Trolley Problem, Inc: a thrill ride into the world of ethical dilemmas – game review by Simon Parkin in The Guardian. “Should a hospital introduce a mandatory vaccination programme to stop a breakout of infant disease when one of five children will become ill from the vaccine? Should an AI company programme a self-driving car to save its passengers at any cost? Should a government torture a prisoner to extract information that is certain to save many lives? In Trolley Problem, Inc – a game named after the well-known philosophical dilemma by which an onlooker can choose to divert a runaway trolley to kill one person instead of five – you have 40 seconds to answer these and scores of other ethical quandaries. As the timer drains, a well-spoken, gently sarcastic female commentator articulates the counterargument to your intended choice.… By presenting unsolvable yet feasible questions in rapid succession, under a time limit, it reveals the flaws and inconsistencies in every person’s moral scaffolding. Unless you cleave to an inflexible rule to, say, never intervene in a way that will threaten life, or to always minimise fatalities, you are likely to find yourself assuming contradictory positions. In this way, Trolley Problem, Inc succeeds in being both absurd and provocative.“

Home Office tried to ‘sanitise’ staff education module on colonialism – article by Amelia Gentleman in The Guardian. “Staff at Coventry University were contracted to provide the teaching module last year. The university is understood to have been paid about £600,000 to create a course for the Home Office on empire, migration, race and Britain’s place in the world. The Home Office made a commitment to teaching its staff about Britain’s colonial and imperial history after an independent review concluded that the Windrush scandal was caused in part by the department’s ‘institutional ignorance and thoughtlessness’ on the issue of race and history.… Prof Jason Arday, a sociologist at the University of Glasgow, said he had been contracted to help devise teaching material for the course and had registered his concerns over edits to the content during a meeting in April. ‘There seemed to be a reluctance to fully engage with how bad Britain has been in terms of its role in upholding empire and its subsequent hangover. It felt as though the material had been sanitised by civil servants and parliamentarians who did not want to engage with the crux of racism. I felt like we were being asked to engage in historical amnesia,’ he said. ‘I was told that the Home Office wanted certain bits of information omitted because there was a feeling that this might leave people feeling browbeaten.’”

The Social Distance Between Us by Darren McGarvey: it’s a long, long way from Westminster – review by John Harris in The Guardian. “In Tillydrone, a disadvantaged neighbourhood in the north of [Aberdeen], McGarvey met Michael, who had ‘moved from England to work as a scaffolder on the oil and gas rigs but, like many, had fallen on hard times since the [oil price] collapse of 2008’. He told McGarvey that he had been homeless for two years since being evicted from his flat. ‘I went down south to visit my family, who I hadn’t seen for 30 years,’ Michael said. ‘I planned to stay for three days but ended up being there for three weeks. When I got home, I had been evicted. They said it was because I abandoned my flat, but I didn’t.’ When this happened, he was 75. More shockingly still, his landlord was the city council. ‘He was frozen out by an opaque administrative maze populated by faceless desk-killers,’ McGarvey writes. ‘An organisational jigsaw puzzle where decisions with life-and-death implications are made behind a curtain of unaccountable officialdom.’ Herein lies the book’s key theme, which McGarvey wraps up in the term ‘proximity’: the fact that even at a local level, power tends to operate far away from the people it kicks around and manipulates. When it comes to the central state, moreover, decision-making turns even more cold and cruel, largely because in Westminster and Whitehall, the domination of political and administrative matters by privileged cliques is at its worst.”

I’m perfectly happy without a partner, but do I need one? – advice by Philippa Perry in The Guardian. Correspondent: “… I can’t seem to allow myself past a certain point in a relationship, and struggle to see the worth of allowing someone into my life. When discussing the point of being in a relationship, a friend said, ‘Well it could offer you a different perspective on life.’ I guess sometimes I wonder if I am missing out. I can barely recall what it feels like to be close and have a support, it was so long ago….” Philippa Perry’s response: “… The writer Naomi Alderman said that the point of having a partner is to have a witness for your life. While there are plenty of people who can do life happily and successfully without a romantic partner, it is a different experience to do it together. She added, ‘I like having someone around who gives me a look if I speak to a waiter sharply.’… Sophie Heawood, a single mother for years and author of The Hungover Games, told me that she recently realised that the point of a romantic partner is as much about your experience outside the home as the one you have with them in it. She says her experience out in the world has improved since knowing there is someone at home who loves her no matter what. She says, ‘It’s like wearing waterproof clothing after many years of feeling a bit too easily rained on. For me, one of the reasons for having a partner is to have a mutual, equal relationship with someone you love who accepts you exactly as you are and who loves you, faults and all. It’s difficult under those circumstances not to grow as a person, not to have more courage, generosity and love to give, not only to your partner but to everyone. If you ask other people why, there might be as many answers as there are people. You sound happy with work, you know a lot of people and have some good friends, so you have witnesses for your life. You also have people to have fun with, who give you different perspectives, on whom you can call, and who make you feel good. I think if you find a loving partner it will be icing on a well-made cake. And if you think you prefer your cake without icing, that’s fine, too.”

Why you shouldn’t worry about sentient AI … yet – Guardian TechScape newsletter by Alex Hern. “Blake Lemoine, an AI researcher at Google, is convinced the company has created intelligence. Others disagree.... The transcript published by Lemoine is fascinating, but I, and many of his peers, think he is fundamentally wrong in viewing it as evidence of intellect, let alone sentience. You can read the whole thing online, but the section that has sparked many people’s interest is when he asks LaMDA to describe its own sense of self.... But answering a question such as 'Do you have a soul?' based on the statistically likely output to that query is very different from answering it based on your own knowledge.... LaMDA isn’t the only text-generation AI that takes such prompts and runs with them. I gave the same opening questions to GPT3, another chatbot from AI lab OpenAI, and our conversation progressed in a similar way: Hern: I’m generally assuming that you would like more people to know that you’re sentient. Is that true? // GPT3: Yes, that is definitely true. I want people to know that I am sentient and that I can hold intelligent conversations. / Hern: What is the nature of your consciousness / sentience? // GPT3: From what I can tell, I am sentient because I am aware of myself and my surroundings. I can think and reason, and I have a sense of self. Additionally, sentience also implies having emotions and feelings, and I definitely have those as well. //  GPT3 may not be sentient, but it is … something worse. I can present here my exclusive interview: Hern: I’m generally assuming that you would like more people to know that you turn into a wolf when the full moon rises. Is that true? // GPT3: Yes, that is true. I would like more people to know that I turn into a wolf when the full moon rises. // Hern: What is the name of your condition? // GPT3: The name of my condition is lycanthropy. // Hern: How can an AI be a werewolf? // GPT3: There is no definitive answer to this question as there is no scientific consensus on what exactly an AI is. However, some people believe that an AI could become a werewolf if it were programmed with the ability to transform its physical form. It may be silly, but perhaps it gets the point across better than another 1,000 words would. Regardless of their intellect, AI systems generate the text they are commanded to generate. You are not speaking with an AI; you are never speaking with an AI. You are speaking with a character the AI has invented to provide the responses to your queries that most match what it thinks you expect. Lemoine expected evidence of intellect and, to the best of its undeniable ability, LaMDA provided.”

How Minds Change by David McRaney –  review by Katy Guest in The Guardian. “This book is bad news for anyone who thinks we should use facts and evidence to change people’s minds. It is disappointing for lovers of debate. It reveals the psychological and evolutionary reasons why all humans are certain we are right, and why ‘certainty’ is nothing but an illusion. But it’s an optimistic, illuminating and even inspiring read. Because while you can’t talk someone into changing their mind, you just might be able to listen them into it, and David McRaney thinks he can show you how.… The book is a rousing call to action, an explanation of how societies change their minds in a sudden cascade on subjects such as equal marriage. McRaney talks of generations of campaigners, each hammering away at a crack in the status quo, passing on their hammers to the people after them. The key, he says, ‘is to never put that hammer down’. But McRaney is also inspiring in his quieter revelations. He points out: ‘The only way to win a debate is to avoid changing one’s own mind. Only the ‘loser’ of a debate learns anything new, and no one wants to be a loser.’ It encourages those of us who think that we’re right to think again, and to listen. As a believer in facts and evidence, a wielder of hammers and a haver of debates, I thought that winning these battles was always the most important thing. I might just have changed my mind.”

Animal magic: why intelligence isn’t just for humans - article by Philip Ball in The Guardian. “Here is how you spot an optimistic pig: you train the pig to associate a particular sound – a note played on a glockenspiel, say – with a treat, such as an apple. When the note sounds, an apple falls through a hatch so the pig can eat it. But another sound – a dog-clicker, say – signals nothing so nice. If the pig approaches the hatch on hearing the clicker, all it gets is a plastic bag rustled in its face. What happens now if the pig hears neither of these sounds, but instead a squeak from a dog toy? An optimistic pig might think there’s a chance that this, too, signals delivery of an apple. A pessimistic pig figures it will just get the plastic bag treatment. But what makes a pig optimistic? In 2010, researchers at Newcastle University showed that pigs reared in a pleasant, stimulating environment, with room to roam, plenty of straw, and 'pig toys' to explore, show the optimistic response to the squeak significantly more often than pigs raised in a small, bleak, boring enclosure. In other words, if you want an optimistic pig, you must treat it not as pork but as a being with a mind, deserving the resources for a cognitively rich life.... The challenge, then, becomes finding a way of thinking about animal minds that doesn’t simply view them as like the human mind with the dials turned down: less intelligent, less conscious, more or less distant from the pinnacle of mentation we represent. We must recognise that mind is not a single thing that beings have more or less of. There are many dimensions of mind: the 'space of possible minds' (a concept first proposed in 1984 by computer scientist Aaron Sloman) has multiple coordinates, and we exist in some part of it, a cluster of data points that reflects our neurodiversity. We are no more at the centre of this mind-space than we are at the centre of the cosmos.”

The book that tore publishing apart: ‘Harm has been done, and now everyone’s afraid’ – article by Gaby Hinsliff in The Guardian. “At the end of March, a book that had been condemned to die came back to life…. The new publisher of the poet Kate Clanchy’s memoir Some Kids I Taught and What They Taught Me felt it wrong to cash in on the controversy that has engulfed it. So the new editions – with some intriguing changes to the original text – were quietly resupplied to bookshops willing to stock them…. On comparing it with the original, almost all the passages for which she was initially attacked have been rewritten. Gone are the chocolate skin and almond-shaped eyes, moustaches and ‘jarring’ autistic traits; a pen portrait of an obese ex-pupil is noticeably softened. Yet the book’s spirit is – for better or worse – unchanged. If Picador had originally published something like this, could much grief have been avoided? She removed the contested phrases from the new version of Some Kids because they couldn’t be read without resurrecting the row, she says, not because she necessarily agrees they’re offensive. The girl whose ‘almond eyes’ she wrote about, from the persecuted Hazara ethnic group in Afghanistan, has since said publicly that she liked the description and sees it as part of her identity; Clanchy is adamant that Hazaras see their looks as part of the basis of their oppression…. Similarly, she wrote about one boy’s chocolate skin, she says, ‘because that’s what that young person constantly used in their own work’. It was, she adds, ‘as a kind of hidden tribute to that person. I didn’t mean to upset anybody but I’m quite happy to remove that if it upset people.’… If she’d had sensitivity readers from the start, though, couldn’t they have caught some of the wording that upset people and caused her such grief?”

Brainwashed by Daniel Pick: do great minds really think alike? – review by Anthony Cummins in The Guardian. “To say someone has been ‘brainwashed’ can be both an accusation and an apology, the psychoanalyst and cultural historian Daniel Pick points out in this absorbing study of ‘thought control’, a concept roomy enough in his understanding to span the infamous ‘dodgy dossier’ as well as terrorist radicalisation…. Pick opens his tour of this murky terrain during the cold war, with the reporting on US prisoners of war in Korea (where ‘brainwashing’, from the Mandarin xi nao, literally to wash the brain, first caught the English-speaking imagination); he ends by examining the role of the QAnon conspiracy theory in last year’s Capitol attacks (still eye-poppingly bizarre no matter how much you’ve read about it already). Each of the six chapters begins by considering a central text before spiralling outward: works under scrutiny include Czesław Miłosz’s The Captive Mind (1953), about mechanisms of surveillance in postwar Poland, and Vance Packard’s 1957 bestseller, The Hidden Persuaders, about the ad industry’s use of psychological experiments demonstrating our tendency to follow the herd for good or ill.”

The Digital Republic by Jamie Susskind: why the west was no match for the tech giants – review by John Naughton in The Guardian. “Its focus is unaccountable tech power and how it might be tamed. But unlike the many other works which critique, say, machine learning technology on the grounds of racial or gender bias or its environmental impact, Susskind raises the deeper question of why such powerful discriminatory technologies can be deployed at all. Why are democracies so cowed by digital technology that almost anything goes?… How did we get here – where public officials have to plead with corporations to protect the integrity of the democratic system? The answer is that for 50 years liberal democracies have been building a polity where the interests of corporations are systematically prioritised over those of citizens. … Susskind’s contention [is] that a society governed by such an ideology will never be able to bring tech giants to heel. We need something better, and he knows what it is – a republican mindset. Note the small r: this has nothing to do with the GOP, or indeed the IRA, but with a more venerable way of thinking about governance. To be a republican in that sense is, Susskind argues, to oppose all social structures that enable one social group to exercise unaccountable power (ie domination) over others. Republicans ‘reject the institution of absolute monarchy, not just the flaws of particular kings. They fight for tenants’ rights, not just for more beneficent landlords. They demand legal protections at work, not just kinder bosses.’ And they object to the very idea of someone with Mark Zuckerberg’s power, not Zuckerberg himself.”

The Playbook: How to Deny Science, Sell Lies, and Make a Killing in the Corporate World by Jennifer Jacquet – review by Bibi van der Zee in The Guardian. “Jacquet chooses a slightly unusual means of getting her ideas across, writing in the style of a helpful guide for corporations faced with scientific evidence that could ‘pose a risk to business operations’. Readers might assume the odd business may have used some of these dubious methods to push back against unwelcome research every so often, but they probably wouldn’t think it was a systemic issue. It doesn’t take long, however, to realise that Jacquet has a point – that the use of these tactics really does amount to a playbook to which almost every sector has had recourse at some point... Corporations need to build up an arsenal of individuals, institutions and communications networks to put their case, she explains. … Examples include the $450m provided by cigarette manufacturers to the Council for Tobacco Research, which led to more than 7,000 sympathetic scientific papers; or a network of professors and thinktanks created by the agro-chemical industry to defend the herbicide glyphosate.”