Monday 19 September 2016

Seen and heard: July 2016

The Strictly Prom – tremendous TV, with pro dancers from Strictly Come Dancing strutting their stuff to classical and light music numbers given the big BBC Symphony Orchestra treatment. Needs the visuals, however, to capture the excitement of the performance; not so good with sound only on the radio, except for the irrepressible 1920 and '30s numbers.

We're the Superhumans (Yes I can) – sensational promotional video for the Paralympics, showcasing ability rather than disability, including a death-defying wheelchair stunt at the end. Truly superhuman.

One Night in 2012 – fascinating documentary following the preparation for the single night smash hit opening ceremony of the London 2012 Olympic Games, which unexpectedly brought the nation together in a warm glow of positive feeling towards the Games and towards ourselves. Especially interesting to get an insight into the logistics of organising so many volunteer members of the public, called upon to play Brunels, nurses, nannies, teenagers, and so on. It wasn’t just chance and wishful thinking that made (nearly) everything go right on the night.

Frosta del sol – the summer “beach” or super-sandpit at our local garden centre, which turned out to be a great place to take the toddler members of our family for an entire afternoon’s peace and quiet (for us): buckets and spades and moulds and sieves and balls provided, along with two first rate playworkers, and even a carousel for variety. Best of all, the beach was located right next to the garden centre tea room, enabling us to keep an eye on the kids from our tea table. Very good value.

Powerplay – psychotherapy and spirituality day at Turvey Monastery. Enriching and inspirational as usual, my main take-away memory this time being the provokation to consider the possible positive connotations of the word “powerplay”, usually used in a negative sense, if you go deeper into the possible meanings of the component “play”.

Magic Carpet – stunning audio-visual interactive display in the Milton Keynes shopping mall, as part of the MK International Festival. The shifting and changing projected patterns on the floor fascinated our two-year-old grandson, although he was just as interested by the floor-mounted access hatches and a cabinet of fire extinguishers. We couldn’t let him hold one of the sound-producing eggs, unfortunately: too much risk of his dropping or throwing it.

The 80s with Domenic Sandbrook – a fun TV trip through the popular culture and politics of the decade, although Sandbrook’s right-wing orientation is more evident here than in his previous explorations. It’s all very well to minimise the role of Margaret Thatcher and observe how the changes of the 1980s were supported or even driven by ordinary people rather than politicians or cultural leaders, but that’s rather like saying that Nazi Germany would have happened without Hitler: probably true but not necessarily helpful to understanding unless you go a great deal deeper into the socio-politics than Sandbrook (who I imagine is not a Marxist historian) would be prepared to go.

Fauré Requiem, sung by The Sixteen, accompanied by the Academy of Ancient Music, which I played for my mother during her final hour on 30 July 2016. Thank you to the staff of Bletchley House Care Home for their support.

No comments:

Post a Comment